Timothy Lomeli, PhD.

Timothy Lomeli is an Assistant Professor of French at Grinnell College.

His doctoral dissertation examined the intersections of Vodou with race, class, gender, and sexuality in the novels of Kettly Mars in order to demonstrate how practices of Vodou can destabilize seemingly concrete conceptions of identity.

In 2024-25, Timothy Lomeli was a Marilyn Yarbrough Dissertation & Teaching Fellow at Kenyon College. At Kenyon, he taught a course in Spring 2025 titled “Vodou in Popular Culture” where students examine texts (films, novels, poetry, anthropological monographs, and paintings) that depict Vodou from both inside and outside of Haiti. Ultimately, the class aimed to reconsider how we think about Haitian Vodou.

He has most recently published “Pathologizing and Controlling Haitian Bodies: The U.S. Border through Discrimination, Incarceration, and Deportation.” in the Journal of Latino/Latin American Studies with Carine Schermann & Vincent Joos.

He completed a translation of Gisèle Pineau’s Ady, soleil noir (Ady, Black Sun) with Tiffane Levick which was published published with Liverpool University Press on April 28, 2025.

When Man Ray, 44, and Adrienne Fidelin, 19, meet at the Bal Colonial on Rue Blomet in Paris during the roaring twenties an intense love affair is born that will last four years before being brutally ended by the war. Years of complicity and passion will mark the two of them for life.

Gisèle Pineau, through the voice of Ady, brings this suspended period of happiness back to life. Forced to leave her native Guadeloupe at 15 and move to Paris, the young and spontaneous woman soon seduces Man Ray et finds herself wrapped up in the bohemian life the great American artists leads with his friends. Because the moments of sexual freedom and intellect are beyond compare, in Montparnasse, as well as the summers in Mougins with Paul and Nusch Éluard, Pablo Picasso and Dora Maar, Lee Miller and Roland Penrose: naked bodies exposed in the sun or to Man’s camera. Ady, Lee and Nusch indulge in all manners of pleasure. Ady recounts a golden age, a time of innovation and creation, a tumultuous life where the protagonists are titans of art history.

Gisèle Pineau writes the true story of Ady, a stunning muse, Man Ray’s “black sun” – a woman full of grace who Éluard assured had “clouds in her hands”.

Upcoming Conference Presentations

“ORALITY, VODOU, CREOLE, AND THE HAITIAN NOVEL’S DUAL AUDIENCE”

20th & 21st Century French and Francophone Studies International Colloquium, 26 March 2026, Notre Dame, In.

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“HURRICANES, ANCESTORS, AND CAPITALISM: ECOLOGY AND VODOU IN YANICK LAHENS’S BAIN DE LUNE”

“WHERE OCEANS JOIN: LANDSCAPES, SEASCAPES, ARCHIPELAGOES IN CIRCUMCARIBBEAN ECOLOGIES,” May 2026, St. Augustine, Trinidad and Tobago.

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Recent Conference Presentations

“Reclaiming Horror. Reclaiming Vodou”

Midwest Modern Languages Association, Sunday, 16 November 2025, Milwaukee, Wi.

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“VODOU AS A POETICS OF BEING IN HAITIAN LITERATURE” (INVITED).

HOMO SARGASSUM SYMPOSIUM. Thursday, 6 March 2025, Tallahassee, Fl.

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“AFROPEAN BLUES: MUSIC AND AFROPEAN IDENTITY IN LÉONORA MIANO’S BLUES POUR ÉLISE

MODERN LANGUAGES GRADUATE STUDENT CONFERENCE. Thursday, 27 February 2025, Tallahassee, Fl.

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